I was opening my semi-secret gallery and screening space in the dark corner of Skid Row in LA. My very first film screening was a selection of Mike Kuchar's videos. I flew him to LA and set him up in my apartment/gallery. It was his first time to LA in almost 3 decades. It was a great show with a full house including Mr. Ray Zone. I believe it was the first time Ray had seen Mike's work, but he knew of Mike's reputation. Ray being the generous person that he is and also always trying to spread the gospel of 3D gave Mike the new Fuji W3 Finepix 3D camera telling Mike that he "just wanted to see what he would do with it".
Mike graciously accepted the camera and when he returned to his home, San Francisco, he began making plans to start on a new project. Mike shot a few scenes with some of his regular stars, but at a certain point he simply had to abandon the project. You must understand, Mike is a very traditional filmmaker. Sometime in the 80's he transitioned from film to video and later still he transitioned to digital video tape. All of these processes are radically different and each transition took many years for him to master. Now, in his 70's, he seems reluctant to make the transition to digital video files (SD card) based footage. This is due mostly to the fact that he has no computer and no way of editing the footage.
The camera sat on the shelf with the footage for months. It sat as Mike witnessed his brother, George, fight his battle with cancer and lose. It sat for another year when Ray unexpectedly suffered a heart attack and left us with endless questions.
Eventually, Mike decided to give me the camera. He knew I worked in 3D and lucky for us all the footage that Mike shot was still on the card in the camera.
I started working on the footage, but quickly realized that even though the W3 camera is revolutionary in putting 3D easily into the hands of anyone it still has many bugs. With this camera there is a problem with the alignment of the two images and for 3D that is an enormous problem. It's basically the difference between seeing 3-D and giving everyone a headache. So, I spend much time fixing the footage to prepare it for editing.
Now I am finally at the stage of editing. It's still going to take more time, but for now I have a few images for you to see - to be viewed in anaglyph (red-blue) glasses. Not perfect, but getting there.
